Advanced Topics in Lifecraft #4 User's Guide to Ernest Thompson Seton Stories

 Rabbit at Night from ALL collection

In the three previous Lifecraft essays, I have discussed the Nine Principles, the Fourfold Path, and Learning as Transformation. This time I want to present a brief discussion of several Seton short stories. Seton vividly illustrates the lessons of Lifecraft through the biographies of his animal heroes. The stories are filled with action (chases and escapes) and emotion (triumph and pathos). Based on Seton’s observations and imaginings, we see nature described in a highly descriptive manner. He can veer into the fantastic (do animals really commit suicide?) but also stick to the highly realistic—wild nature, overall, while it may often emphasize cooperation over survival of the fittest, generates stories of kindness less often than others of unconscious cruelty. A hard lesson for the children the stories were aimed at, but that is life.

The violence in “Lobo” (wolf) is unapologetic. The life of Krag (bighorn sheep) is tragic. Even the triumph of Billy (another wolf) comes at a price—his life will never be one of security. Nature must be taken on its own terms, and not portrayed as less brutal or less magnificent than it is. Seton presents two radical lessons. One is that wild animals are not fundamentally different from us, only different by degree. The other is that we humans are a part of nature, and that by causing environmental destruction, it is ourselves that we attack.

Many of these stories are available as free on-line books or through Project Gutenberg. The stories are taken from Wild Animals I Have Known (1898), Lives of the Hunted (1901) and Animal Heroes (1905). Seton aimed his stories towards young adult readers (defined by the publishing industry as being between 12 and 17), but younger children as well as adults also have a lot to learn here. I have included story descriptions and discussion guides.

	“Lobo, The King of Currumpaw” is Seton’s signature tale of the wolf hunt that transformed him from predator killer to predator protector. This is the lead story in Seton’s first best-seller, Wild Animals I Have Known, a first-person narrative about his efforts to trap wolves in Union County, N.M., during the winter of 1893-94. Based on real events, the story focuses on a remarkable wolf who could not be caught until Seton uses the most extraordinary treachery against him. The wolf is the hero of the story, while Seton casts himself as the villain. It is one of the most unusual hunting stories ever written. It is also a story that captures the larger American experience of man and nature. Seton referenced it in one of his next books (Lives of the Hunted): “I have been bitterly denounced, first, for killing Lobo; second, and chiefly, for telling of it, to the distress of many tender hearts.  To this I reply: In what frame of mind are my hearers left with regard to the animal? Are their sympathies quickened toward the man who killed him, or toward the noble creature who, superior to every trial, died as he had lived, dignified, fearless, and steadfast?” Use these questions to generate conversation in a discussion group: People have to make a living through honorable undertakings such as cattle ranching. Wolves have to make a living as well, by killing their prey. Land owners have the right to protect their livestock. What rights do wolves have, or what rights should they have? Lobo proves to be an animal of exceptional cunning. What do you think of him? Seton uses a trick to trap Blanca. Was he unfair, or was he justified in the measures taken to trap her? Seton describes Lobo’s last hours in considerable detail, what do you think he might have learned from this experience? How does the death of the wolf make you feel?
	“Krag, the Kootenay Ram” is an in-depth conscientious exploration of animal behavior set in the Canadian Rockies. In this story, Seton set out his ideas on environmental consciousness and the complexity of animal behavior. The magnificent bighorn sheep, Krag, finds himself in a lifelong battle against the degenerate hunter Scotty MacDougall. In their final encounter, Scotty’s pursuit is such that he gives Krag no time to graze, and the great animal begins to starve. The journey is equally harsh for Scotty, whose physical deterioration soon matches his mental collapse. The story is an allegory about Western civilization’s self-destructive treatment of nature. Quote from Seton at the beginning of Lives of the Hunted: “My chief motive, my most earnest underlying wish, has been to stop the extermination of harmless wild animals; not for their sakes, but for ours, firmly believing that each of our native wild creatures is in itself a precious heritage that we have no right to destroy or put beyond the reach of our children.” Use these questions to generate conversation in a discussion group: What do bighorn sheep have to learn in order to survive in their mountain environment? What are some of the rule of bighorn sheep life? Krinklehorn nearly kills Krag by unfair fighting, but pays a terrible price. Do animals have a sense of morality? Krag must battle against both dogs and wolves. Krag prevails in these encounters, but sometimes the predators must prevail because they too must feed their families. What is the relationship of predator and prey in the wild? Scotty relentlessly pursues the ram. Do you think Scotty represents something more than himself in this story? What lesson is Seton teaching us?
	Badlands Billy: the Wolf that Won. Long before scientists understood animal intelligence, Seton identified it in this story. Badlands Billy is Seton’s remembrance of a wolf hunt he observed in 1897. Seton uses the story to explain the natural history of wolves. He invents a life history for this hero wolf who survives the greatest hardships. When the normal prey of wolves (such as bison and antelope) are killed off by human hunters, the wolves of North Dakota, like those of New Mexico, are forced to kill cattle, putting them into conflict with humans. Unlike Lobo, Billy outwits all the hunters. In addition to instincts, animals learn behavior by watching others of their own kind and through personal experience. Although these ideas are now accepted among animal behaviorists, when Seton first suggested them, they were highly controversial. Quote from Seton in Animal Heroes: “A Hero is an individual of unusual gifts and achievements. Whether it be man or animal, this definition applies; and it is the histories of such that appeal to the imagination and to the hearts of those who hear them.” Use these questions to generate conversation in a discussion group. Special note: the hunt for Billy took place in 1897, three years after the death of Lobo. Long ago, antelope and buffalo roamed the grasslands of America. Eventually, many of these animals were hunted to near extinction and replaced by cattle. The remaining wolves had nothing left to eat but cattle. Does this change your perception of wolves? What do mother wolves need to teach their pups? Why does Billy survive when Lobo did not? When Billy escapes the dogs, Seton cheers him on. Seton seems very different than three years earlier during his encounter with Lobo. Why do you think he has changed? What are the attributes of an animal hero? Which of these traits are demonstrated by Billy?
	Silverspot, The Story of a Crow is Seton’s classic look into the secret lives of birds., the subject that began his interest in natural history. Birds, especially large ones such as crows are relatively easy to see. Birds of the Corvidae family (crows, jays and ravens) are known as animals of exceptional intelligence. Silverspot is a natural leader and teacher, wise in the ways of his own kind, and the object of Seton’s attention over several years when he lived in Toronto. Quote from Seton in Wild Animals I Have Known: “How many of us ever got to know a wild animal? I do not mean merely to meet with one once or twice, or to have one in a cage, but to really know it for a long time in the wild, and to get an insight into its life and history.” Use these questions in discussion of the story. Seton interprets the calls of crows as a kind of language. Are the crows really speaking to each other? Crows can reason, plan, and learn. When Silverspot drops bread into a stream entering a tunnel, he knows to wait for its reappearance at the tunnel’s other end. How much are we like them or they like us? Are there absolute differences between the behavior of crows and of humans?
	Raggylug, The Story of a Cottontail Rabbit. Seton shows how animals, like people, do learn by watching their elders. He was one of the first naturalists to develop a scientific-based understanding of animal behavior. He wrote that animals (including rabbits) learn through instinct, but also by watching adults of the same species, and through personal experience. As we watch them go through their daily routines, we find out just how dangerous the world can be.  Quote from Wild Animals I Have Known: “Those who do not know animals well may think I have humanized them, but those who have lived so near them as to know somewhat of their ways and theirs minds will not think so.” Consider these questions. Which of Rag’s learning moments falls into which of the three categories (instinct, watching and imitating others, personal experience)? Time after time, Rag’s mother shows a willingness to make the ultimate sacrifice (that is, giving up her own life) to save him. How do you feel about her?
	Bingo, The Story of My Dog is a tribute to man’s best friend. Most of us have owned or been around dogs. The human-dog bond is unique. Bingo saved Seton’s life at least once, perhaps twice.  Quote from Wild Animals I Have Known: “It is wonderful and beautiful how a man and his dog will stick to one another, through thick and thin.” Here are some things we might ask about these relationships. What remarkable experiences have you had with dogs? What have you learned from dogs? Do you think they really know what we think and feel? Is there such a thing as a “bad dog” or are do dogs react to us in developing their own behavior?
	The Springfield Fox. At least until the advent of televised nature programs, few were privileged to observe the secretive fox as closely as Seton. This fox made an appearance in Raggylug’s story as a predator passing through. But here we see that the foxes have families of their own to care for. They react to changing situations with both emotion and intelligence. A fox can consciously choose to resemble a rock in order to escape attention. This suggests they are, at least in some ways, much like us. Quote from Wild Animals I Have Known: “For each kind of prey they [the fox pups] were taught a way to hunt, for every animal has some great strength or it could not live, and some great weakness or the others could not live.” Discuss the following ideas. When people and animals (such as foxes) encounter one another, the result is often tragic for the animal. What steps might we take to avoid or non-violently resolve conflicts with wild animals? Have you ever seen a fox or other secretive wild animals?
	The Pacing Mustang dramatizes the plight of wild animals by having a mustang choose between captivity and death.  Seton set this story concurrently with his hunt for Lobo. In order to create a sense of drama, he has the Mustang, in its final moment, chose death by suicide over captivity. Most scientists have doubted this could really have happened, but it is clear that animals have an emotional life. Quote from Wild Animals I Have Known: “Up, up and on, above the sheerest cliff he dashed away into the vacant air, down—down—two hundred downward feet to fall, and land upon the rocks below, a lifeless wreck—but free.”  A group could discuss these questions. If we could tune into the feelings of wild horses (or wolves or rabbits), what might we learn? In the late 1800s, the western United States was lightly populated and thinly fenced. Have you visited areas that were vast and open? What did you experience and how did you feel about that place?
	Redruff, The Story of the Don Valley Partridge is a poignant look at the extreme impact humans can have on wild nature. This is a particularly sad story where harmless animals are relentlessly pursued until they are exterminated. We will let Seton write the first discussion question from Wild Animals I have Known: “Have the wild things no moral or legal rights? What right has man to inflict such long and fearful agony on a fellow creature, simply because that creature does not speak his language?” Seton does not apply these questions to the way people treat one another. But do you believe these questions are valid in questioning how all the peoples of the world either do or do not get along? The back-page art in the original edition (and in many editions of the book) shows a man, a wolf, and a bird together. A rising sun comes up behind them (shining its light on all equally). A river or lake flows in front on them (from which all must drink). Swirling lines of energy connect all of them together. Was Seton correct in his vision, is it possible that all peoples, animals, and plants can someday achieve some level of harmony?

Through his stories Seton examined the relation of humankind to nature and its wildlife. Should we preserve wildlife for our sake? For the sake of the animals themselves? Or in our more ecologically minded time, can we make the case to do both? Lifecraft gives guidance for how to live, but also for how to question. We become fully alive when we take on the arduous responsibility of thinking for ourselves.

“Lobo, The King of Currumpaw” is Seton’s signature tale of the wolf hunt that transformed him from predator killer to predator protector. This is the lead story in Seton’s first best-seller, Wild Animals I Have Known, a first-person narrative about his efforts to trap wolves in Union County, N.M., during the winter of 1893-94. Based on real events, the story focuses on a remarkable wolf who could not be caught until Seton uses the most extraordinary treachery against him. The wolf is the hero of the story, while Seton casts himself as the villain. It is one of the most unusual hunting stories ever written. It is also a story that captures the larger American experience of man and nature.

Seton referenced it in one of his next books (Lives of the Hunted): “I have been bitterly denounced, first, for killing Lobo; second, and chiefly, for telling of it, to the distress of many tender hearts.  To this I reply: In what frame of mind are my hearers left with regard to the animal? Are their sympathies quickened toward the man who killed him, or toward the noble creature who, superior to every trial, died as he had lived, dignified, fearless, and steadfast?”

Use these questions to generate conversation in a discussion group:

1. People have to make a living through honorable undertakings such as cattle ranching. Wolves have to make a living as well, by killing their prey. Land owners have the right to protect their livestock. What rights do wolves have, or what rights should they have?
2. Lobo proves to be an animal of exceptional cunning. What do you think of him?
3. Seton uses a trick to trap Blanca. Was he unfair, or was he justified in the measures taken to trap her?
4. Seton describes Lobo’s last hours in considerable detail, what do you think he might have learned from this experience?
5. How does the death of the wolf make you feel?

“Krag, the Kootenay Ram” is an in-depth conscientious exploration of animal behavior set in the Canadian Rockies. In this story, Seton set out his ideas on environmental consciousness and the complexity of animal behavior. The magnificent bighorn sheep, Krag, finds himself in a lifelong battle against the degenerate hunter Scotty MacDougall. In their final encounter, Scotty’s pursuit is such that he gives Krag no time to graze, and the great animal begins to starve. The journey is equally harsh for Scotty, whose physical deterioration soon matches his mental collapse. The story is an allegory about Western civilization’s self-destructive treatment of nature.

Quote from Seton at the beginning of Lives of the Hunted: “My chief motive, my most earnest underlying wish, has been to stop the extermination of harmless wild animals; not for their sakes, but for ours, firmly believing that each of our native wild creatures is in itself a precious heritage that we have no right to destroy or put beyond the reach of our children.”

Use these questions to generate conversation in a discussion group:

1. What do bighorn sheep have to learn in order to survive in their mountain environment?
2. What are some of the rule of bighorn sheep life?
3. Krinklehorn nearly kills Krag by unfair fighting, but pays a terrible price. Do animals have a sense of morality?
4. Krag must battle against both dogs and wolves. Krag prevails in these encounters, but sometimes the predators must prevail because they too must feed their families. What is the relationship of predator and prey in the wild?
5. Scotty relentlessly pursues the ram. Do you think Scotty represents something more than himself in this story? What lesson is Seton teaching us?

Badlands Billy: the Wolf that Won. Long before scientists understood animal intelligence, Seton identified it in this story. Badlands Billy is Seton’s remembrance of a wolf hunt he observed in 1897. Seton uses the story to explain the natural history of wolves. He invents a life history for this hero wolf who survives the greatest hardships. When the normal prey of wolves (such as bison and antelope) are killed off by human hunters, the wolves of North Dakota, like those of New Mexico, are forced to kill cattle, putting them into conflict with humans. Unlike Lobo, Billy outwits all the hunters. In addition to instincts, animals learn behavior by watching others of their own kind and through personal experience. Although these ideas are now accepted among animal behaviorists, when Seton first suggested them, they were highly controversial.

Quote from Seton in Animal Heroes: “A Hero is an individual of unusual gifts and achievements. Whether it be man or animal, this definition applies; and it is the histories of such that appeal to the imagination and to the hearts of those who hear them.”

Use these questions to generate conversation in a discussion group. Special note: the hunt for Billy took place in 1897, three years after the death of Lobo.

1. Long ago, antelope and buffalo roamed the grasslands of America. Eventually, many of these animals were hunted to near extinction and replaced by cattle. The remaining wolves had nothing left to eat but cattle. Does this change your perception of wolves?
2. What do mother wolves need to teach their pups?
3. Why does Billy survive when Lobo did not?
4. When Billy escapes the dogs, Seton cheers him on. Seton seems very different than three years earlier during his encounter with Lobo. Why do you think he has changed?
5. What are the attributes of an animal hero? Which of these traits are demonstrated by Billy?

Silverspot, The Story of a Crow is Seton’s classic look into the secret lives of birds., the subject that began his interest in natural history. Birds, especially large ones such as crows are relatively easy to see. Birds of the Corvidae family (crows, jays and ravens) are known as animals of exceptional intelligence. Silverspot is a natural leader and teacher, wise in the ways of his own kind, and the object of Seton’s attention over several years when he lived in Toronto.

Quote from Seton in Wild Animals I Have Known: “How many of us ever got to know a wild animal? I do not mean merely to meet with one once or twice, or to have one in a cage, but to really know it for a long time in the wild, and to get an insight into its life and history.”

Use these questions in discussion of the story.

1. Seton interprets the calls of crows as a kind of language. Are the crows really speaking to each other?
2. Crows can reason, plan, and learn. When Silverspot drops bread into a stream entering a tunnel, he knows to wait for its reappearance at the tunnel’s other end. How much are we like them or they like us?
3. Are there absolute differences between the behavior of crows and of humans?

Raggylug, The Story of a Cottontail Rabbit. Seton shows how animals, like people, do learn by watching their elders. He was one of the first naturalists to develop a scientific-based understanding of animal behavior. He wrote that animals (including rabbits) learn through instinct, but also by watching adults of the same species, and through personal experience. As we watch them go through their daily routines, we find out just how dangerous the world can be. 

Quote from Wild Animals I Have Known: “Those who do not know animals well may think I have humanized them, but those who have lived so near them as to know somewhat of their ways and theirs minds will not think so.”

Consider these questions.

1. Which of Rag’s learning moments falls into which of the three categories (instinct, watching and imitating others, personal experience)?
2. Time after time, Rag’s mother shows a willingness to make the ultimate sacrifice (that is, giving up her own life) to save him. How do you feel about her?

Bingo, The Story of My Dog is a tribute to man’s best friend. Most of us have owned or been around dogs. The human-dog bond is unique. Bingo saved Seton’s life at least once, perhaps twice. 

Quote from Wild Animals I Have Known: “It is wonderful and beautiful how a man and his dog will stick to one another, through thick and thin.”

Here are some things we might ask about these relationships.

1. What remarkable experiences have you had with dogs?
2. What have you learned from dogs?
3. Do you think they really know what we think and feel?
4. Is there such a thing as a “bad dog” or are do dogs react to us in developing their own behavior?

The Springfield Fox. At least until the advent of televised nature programs, few were privileged to observe the secretive fox as closely as Seton. This fox made an appearance in Raggylug’s story as a predator passing through. But here we see that the foxes have families of their own to care for. They react to changing situations with both emotion and intelligence. A fox can consciously choose to resemble a rock in order to escape attention. This suggests they are, at least in some ways, much like us.

Quote from Wild Animals I Have Known: “For each kind of prey they [the fox pups] were taught a way to hunt, for every animal has some great strength or it could not live, and some great weakness or the others could not live.”

Discuss the following ideas.

1. When people and animals (such as foxes) encounter one another, the result is often tragic for the animal. What steps might we take to avoid or non-violently resolve conflicts with wild animals?
2. Have you ever seen a fox or other secretive wild animals?

The Pacing Mustang dramatizes the plight of wild animals by having a mustang choose between captivity and death.  Seton set this story concurrently with his hunt for Lobo. In order to create a sense of drama, he has the Mustang, in its final moment, chose death by suicide over captivity. Most scientists have doubted this could really have happened, but it is clear that animals have an emotional life.

Quote from Wild Animals I Have Known: “Up, up and on, above the sheerest cliff he dashed away into the vacant air, down—down—two hundred downward feet to fall, and land upon the rocks below, a lifeless wreck—but free.” 

A group could discuss these questions.

1. If we could tune into the feelings of wild horses (or wolves or rabbits), what might we learn?
2. In the late 1800s, the western United States was lightly populated and thinly fenced. Have you visited areas that were vast and open? What did you experience and how did you feel about that place?

Redruff, The Story of the Don Valley Partridge is a poignant look at the extreme impact humans can have on wild nature. This is a particularly sad story where harmless animals are relentlessly pursued until they are exterminated. We will let Seton write the first discussion question from Wild Animals I have Known:

1. “Have the wild things no moral or legal rights? What right has man to inflict such long and fearful agony on a fellow creature, simply because that creature does not speak his language?”
2. Seton does not apply these questions to the way people treat one another. But do you believe these questions are valid in questioning how all the peoples of the world either do or do not get along?
3. The back-page art in the original edition (and in many editions of the book) shows a man, a wolf, and a bird together. A rising sun comes up behind them (shining its light on all equally). A river or lake flows in front on them (from which all must drink). Swirling lines of energy connect all of them together. Was Seton correct in his vision, is it possible that all peoples, animals, and plants can someday achieve some level of harmony? 

Ernest Thompson Seton Stories #2

Seton Castle, sunset, October 21, 2014

This is the second in a series, an annotated listing of Ernest Thompson Seton books covering the years 1899 - 1901.

1899

Trail of the Sandhill Stag

(New York: Charles Scribner’s Sons)

Quote: “…you would drive the wild beast wholly from my heart, and then the veil would be a little drawn and I should know more of the things that wise men have prayed for knowledge of.”

The narrator, Yan (who reappears in Two Little Savages), in the single story that makes up this book, relentlessly hunts a deer in a quest that becomes as much spiritual as physical. In its conclusion, it is a counterpoint to the Krag story of four years later. Yan comes to understand that personal salvation will not come from destruction of nature, but from its preservation and finding oneness with the wild. Sandhill Stag has literary roots in the story of the seventh century priest Hubertus.

1900

The Biography of a Grizzly

(New York: The Century Company)

Quote: “The All-mother never fails to offer her own, twin cups, one gall, and one of balm. Little or much they may drink, but equally of each.”

A tragedy, the novella length story about Wahb, follows the course of his life from a cub to ancient and weak. After violent encounters with men, he is reduced to surviving by eating garbage at Yellowstone’s Fountain Hotel. He is finally overcome in a valley of poisonous gas.

1901

Lives of the Hunted

(New York: Charles Scribner’s Sons)

Quote: “I have tried to stop the stupid and brutal work of destruction by an appeal – not to reason: that has failed hitherto – but to sympathy, and especially the sympathies of the coming generation.”

“Krag, the Kootenay Ram.” This story, along with Lobo and Sandhill Stag, marks one of the literary beginnings of the environmentalist movement and one of Seton’s most important literary achievements. An obsessed hunter, Scotty, pursues Krag for fifteen years, from the time of the bighorn sheep’s birth. The greatest of all rams is finally felled by a single shot. His head hangs in Scotty’s cabin where it gradually drives him to madness, a reminder of his villainy. Our attack on nature represents the greatest of moral failures, for it leads to our own destruction.

“A Street Troubadour: Being the Adventures of a Cock Sparrow.” A sparrow is reduced “to subjection” by his young mate.  The story follows the struggles and tragedies of a sparrow couple. It is based on Seton’s observations of the birds in New York City. Nature is not just something that happens in the wilderness.

“Johnny Bear.” The short, not especially happy life of a bear cub sick from eating garbage. Johnny and mom Grumpy live near the Fountain Hotel in Yellowstone National Park where Seton watched them during the summer of 1897. The mother bear and a young woman do everything they to save the doomed cub.

“The Mother Teal and the Overland Route.” New-born chicks follow their mother to a new home pond. Predators try to capture the chicks. A man helps them across a rutted road. A day in the life, and for once, a day with a happy ending.

“Chink: The Development of a Pup.” Seton’s adventure in Yellowstone continues as he observes a dog in a nearby campsite. Chink learns from his mistakes and proves very brave when abandoned. His master is a worthless drunk who encourages the coyote to pick on Chink. At the end, the dog-owner kills the coyote and maybe will become a better person because of the example set by his faithful dog.

“The Kangaroo Rat.” Seton, just arrived in New Mexico, becomes fascinated with the natural history of these nocturnal rodents, learning about himself in the process. Like John Muir, he finds the natural world too compelling to leave room for belief in the supernatural.

“Tito: The Story of the Coyote that Learned How.” Tito, a coyote pup is captured and abused after her family is murdered by ranchers.  She learns about the terrible things that people do to animals, and uses that knowledge to preserve herself and teach other coyotes by example to avoid traps, poisons. She and her mate outsmart and survive all the attacks against them.

“Why the Chickadee Goes Crazy Once a Year.” Chickadees get agitated with the coming of winter but settle in and tough it out. This is a short whimsical explanation of curious behavior showing a different style from the other stories in the book. It was one of his earlier stories.

“The Thought (Tail-piece).” This title makes its second of three appearances at the end of this book. It was used for an entirely different image in Wild Animals I Have Known. It shows up a third time in Lives of Game Animals (1925). In this version, a nude European/American white male shows his dominance over the regenerative ability of nature. But there will be dire consequences to his action.