"Seton Castle...on the last rampart of the Rockies where the Buffalo Wind is blowing."

Wednesday, December 24, 2014

Ernest Thompson Seton Stories #8

Sunset photographer, Seton Castle, October 21, 2014

This is the eighth in a series, an annotated listing of Ernest Thompson Seton books covering the years 1917-1921.


The Preacher of Cedar Mountain

(New York: Doubleday, Page & Company)

Quote: “There were women who boldly proclaimed that sex and mind had little bearing on each other; that woman should train herself to be herself, and to stand on her own feet; that when woman had the business training of men, the widow and the unmarried woman – half of all women – would no longer be the easy prey of every kind of sharper.  These new teachers were, of course, made social martyrs, but they sowed the seed and the crop was coming one.  That every woman should prepare herself to stand alone in the world was the first article in their creed.”

This book, Seton’s only attempt at publishing a conventional, character driven novel, reflects political attitudes of the late Progressive Era, including emerging feminism. The “preacher” Jim Hartigan is almost more pagan than Christian, more interested in the spiritual than the doctrinaire. Like Seton animal heroes, Jim overcomes his adversaries by wit and strength. He hates cruelty to animals, admires traditional Indians and is enamored of the shear dynamism of his region: “Hope never dies in the West.”


Sign Talk, A Universal Signal Code, Without Apparatus, for Use in the Army, the Navy, Camping, Hunting, and Daily Life

(New York: Doubleday, Page & Company)

Quote: “My attention was first directed to the Sign Language in 1882 when I went to live in Western Manitoba. There I found it used among the various Indian tribes as a common language, whenever they were unable to understand each other’s speech.”

This is a scholarly work once again showing the breath of Seton’s interests. It includes a 200 plus page glossary of the signs.


Woodland Tales

(New York: Doubleday, Page & Company)

Quote: “I never forgot the exact timbre of the woodland call; so when at length, long after, I traced it to what is known in books as the ‘Red-shouldered hawk,’ it was a little triumph and a little disappointment. The books made it all so commonplace. They say it has a loud call like ‘kee-o’; but they do not say that it has a bugle note that can stir your very soul if you love the wild things, and voices more than any other thing on wings the glory of flight, the blessedness of being alive.”

This is a compilation of previously published stories combined with new ones. Part fanciful mythological stories of his own creation, part Woodcraft stories, all demonstrate the pleasures of natural history observation and activities. Focus on plants, insects and birds. The book is meant to inspire both children and their guides (their parents or others) to get outside for the purpose of learning and enjoyment.  The seven sections are divided into 107 Tales.

Thursday, December 18, 2014

Ernest Thompson Seton Stories #7

More magical sunset light, October 21, 2014

This is the seventh in a series, an annotated listing of Ernest Thompson Seton books covering the years 1913-1916.


Wild Animals At Home

(New York: Doubleday, Page & Co.)

Quote: “Had I asked them to join me killing a man, shooting up the town, or otherwise taking their lives in their hands, I would doubtless have had half a dozen cheerful volunteers; but to carry a box in which was a wild skunk – ‘not for a hundred dollars,’ and the warriors melted into the background.”

This is a work on non-fiction covering many of the same animals featured in Life Histories of Northern Animals, but in a more popular format. All of these creatures were wild citizens of Yellowstone National Park. Seton loved the park because the relative tameness of its animals allowed a close approach and thus a chance to observe and understand them in a way not possible elsewhere. Seton takes the opportunity to editorialize on many subjects from his dislike of high powered hunting weapons to the importance of bats. He continued to ramp up his message of wildlife conservation, including describing himself as an assassin for his complicity in the killing of a moose.


Manual of the Woodcraft Indians, The Fourteenth Birchbark Roll, Containing Their Constitution, Laws, and Deeds, and Much Additional Matter

(New York: Doubleday, Page & Co.)

Quote: “It maintains that true religion fits all days as well as Sunday. That justice and retribution are our certain lot here on earth. That all men are born children of the Great Spirit and may retain their birthright if they have the courage and strength for the fight.”

At the time of publication, Seton was finishing his losing fight for control of the Boy Scouts. He set forward the organizational scheme for his own organization; later in 1915 it was incorporated and renamed The Woodcraft League of America.


Wild Animal Ways

(Garden City, New York: Doubleday, Page & Company)

Quote: “If he [the raccoon] has a message, we know it not in formal phrase, but this perhaps: He is symbol of the things that certain kindly natures love; and if the nation’s purblind councilors win their evil way, so his hollow tree with himself should met its doom, it means the final conquest of the final corner of our land by the dollar and its devotees. Grant I may long be stricken down before it comes.”

“Coaly-Bay, the Outlaw Horse.” The life history of in Idaho starts with his unkind treatment by his owners. Eventually he escapes joining a wild band: Live free or die!

“Foam, or The Life and Adventures of a Razor-Backed Hog.” A brave and faithful wild pig overcomes all odds during his challenging life, including his friendship with a human girl and a climatic confrontation with a bear. Courage, Seton writes, is “not to be without fear, but to overcome it.”

“Way-Atcha, the Coon-Raccoon of Kilder Creek.” A lost baby raccoon is adopted by a human family after being removed from a trap, mistreated by others, and finally escapes back to the wild life.

“Billy, the Dog That Made Good.” A brave dog saves his master from a grizzly bear caught in a trap.

“Atalapha, a Winged Brownie.” A year in the life, bat natural history with poetic passages and praise for bat insect predation. The Great Northern Bat is captured by humans who test his flying ability. Nature tests its as well during a long migration. 

“The Wild Geese of Wyndygoul.” Seton’s pinioned mother and father geese cannot join the annual migration; they and their brood spend the winter together.  Another brood comes the following summer; the mother’s flight feathers have grown back. She and her children take off, leaving the anguished father to spend the winter alone.  But his family returns in the spring, setting a pattern for the loving couple’s years together.

“Jinny. The Taming of a Bad Monkey.” Treated with respect and affection by a zoo keeper, an abused monkey goes from vicious to tame before being murdered by an evil man.

Monday, December 15, 2014

Ernest Thompson Seton Stories #6

Seton Castle Library Exterior at Sunset, October 21, 2014

This is the sixth in a series, an annotated listing of Ernest Thompson Seton books covering the years 1910-1912.

Boy Scouts of America, A Handbook of Woodcraft, Scouting, and Life-Craft
(New York: Doubleday, Page & Company.)
Quote: “The Woodcraft and Scouting movement that I aimed to foster began to take shape in America some ten years ago. Because the idealized Indian of Hiawatha has always stood as the model for outdoor life, woodcraft and scouting, I called its brotherhood the “Woodcraft Indians.” In 1904 I went to England to carry on the work there, and, knowing General R.S.S. Bade-Powell as the chief advocate of scouting in the British Army, invited him to cooperate in making the movement popular.”

This book created a model for all the Boy Scout Handbooks that have followed, making the series one of the largest (other than the Holy Bible) printed in the English language. It incorporated parts of Robert Baden-Powell’s Scouting for Boys which itself had been greatly influenced by Seton’s Birch Bark Roll series which premiered in Ladies Home Journal in 1902.

Rolf in the Woods, The Adventures of a Boy Scout With Indian Quonab and Little Dog Skookum
(New York: Grosset & Dunlap)
Quote: “I have especially dwelt in detail on the woodland and peace scouting in the hope that I may thus help other boys to follow the hard-climbing trail that leads to the higher uplands.”

This young adult novel is a values-driven story: self-reliance (both in woodcraft and in personal courage), religious tolerance, and love of nature. By being good at these a scout can overcome any obstacle. This also is a story of heroism based on physical ability, personal integrity, and loyalty. It combines elements of Seton’s own early life with James Fenimore Cooper stories.

The Arctic Prairies, A Canoe-Journey of 2,000 Miles In Search Of The Caribou; Being An Account Of A Voyage To The Region North Of Aylmer Lake
(New York: Charles Scribner’s Sons)
Quote: “In 1907 I set out to journey by canoe down the Athabaska and adjoining waters to the sole remaining forest wilds—the far north-west of Canada—and the yet more desert Arctic Plains, where still, it is said, were to be seen the Caribou in their primitive condition.”

Part travelogue, part natural history, part adventure story, the Arctic equivalent of Jefferson’s Notes on the State of Virginia, this was Seton’s only full account of any of his major trips. Accompanied by field biologist Edward A. Preble and First Nations Guides, Seton explored the Northwest Territories above Great Slave Lake over six months. He gave descriptions of the landscape with its human and animal inhabitants. This was the first in-depth account of an area that was at the time almost entirely unknown to outsiders. 

The Book of Woodcraft and Indian Lore
(Garden City, New York: Doubleday, Page & Co.)
Quote: “By Woodcraft I mean outdoor life its broadest sense and the plan has been with me since boyhood. Woodcraft is the first of all the sciences. It was Woodcraft that made man out of brutish material, and Woodcraft in its highest form may save him from decay.

Seton considered this the Eleventh Edition of the Birch Bark Roll; it was the largest of the entire series, combining a large selection of his many interests. It was meant to serve as the guide to outdoor education from ethics to American Indian history to how to organize local groups. It pushed the radical notion that cooperation was of greater moral value than competition. Woodcraft included honoring (or appropriation) if indigenous folkways, practical outdoor skills, games, first aid, herbal healing, general natural history, and forestry. Issued under various titles over the years, it remains in print today. This was the Boy Scout manual as it would have been written without Baden-Powell influence. (There were later revisions not shown on this list.)

Monday, December 8, 2014

Ernest Thompson Seton Stories #5

Seton Castle, sunset on interior wall, October 21, 2014

This is the fifth in a series, an annotated listing of Ernest Thompson Seton books covering the years 1908-1909.


The Biography of a Silver Fox

(New York: The Century Company)

Quote: “...so furtive are they, so clever and so unremitting are mother and father, that not more than one man in every hundred thousand as the good luck to see this family group that charms us by its appeal to the eye, and touches our hearts by showing how very near these creatures are to us in their affections and their trials.”

In a broad sense, this quote is the raison ďêtre for all Seton wildlife stories. Part natural history, part drama (fox life is rough), the foxes have both human enemies and human friends. While Seton implies that foxes are important for their own sake, here they are more important for the moral example they hold out to us if only we are wise—and observant—enough to see the lesson.

Life-Histories of Northern Animals: An Account of the Mammals of Manitoba

(New York: Charles Scribner’s Sons.)

Quote: “Just as surely as we find among the wild animals the germs or beginnings of man’s material make-up, so surely may we find there also the foundations and possibilities of what he has attained to in the world of mind.”

Published in two volumes, this is a massive account about the natural history of 60 species. Theodore Roosevelt sent Seton a letter of commendation for this effort and the Campfire Club of America awarded the publication a gold medal. Most of the animals included are also found elsewhere in North America.

Friday, November 21, 2014

Ernest Thompson Seton Stories #4

Curator at Seton Castle

This is the fourth in a series, an annotated listing of Ernest Thompson Seton books covering the years 1905-1907.


Woodmyth and Fable

(New York: The Century Company)

Quote: “Most boys gather in the woods pretty and odd bits of moss, fungus, and other treasures that have no price.  They bring them home and store them in that universal receptacle, the Tackle-box.  Some boys, like myself, never outgrow the habit.”

A collection of fifty-three short tales, essays, poetry and observations. Most of them are concluded with a one line “moral” of the story. Like all of Seton’s books, this one is filled with illustrations. Included are his alternative names for months, Thunder Moon for July, Mad Moon for November.

Animal Heroes

(New York: Charles Scribner’s Sons)

Quote: “A hero is an individual of unusual gifts and achievements. Whether it be man or animal, this definition applies; and it is the histories of such that appeal to the imagination and to the hearts of those who hear them.”

“The Slum Cat.” A mother cat raises her one female kitten after the others are killed. a common theme in Seton stories. The kitten is soon orphaned. Her beauty and luck earn her a place in human society which she rejects in order to return to the slum where she call live the life of a feral cat which she loves.

“Arnaux: The Chronicle of a Homing Pigeon.” The young bird shows great promise from his first race. His greatest attribute: he has no fear. He flies 210 miles from a ship to his home in NYC. Arnaux makes his living carrying messages. After many an adventure, he is killed by a falcon who takes advantage of his weakness after having been kidnapped and imprisoned by a bad man. Unlike mammals, the bird operates almost entirely on instinct and does not show much individual personality.

“Badlands Billy, The Wolf that Won.” Joining Lobo, the Sandhill Stag, and Krag, this is the fourth major story with an environmentalist message. Once again, as with Lobo, Seton has joined a wolf hunt, but this time (three years later), as an observer, not a hunter. And he is rooting for he wolf. A heroic wolf mother adopts the orphaned Billy. (Seton adored his own mother; there are no bad mothers in any Seton story.) As with Lobo and Krag, we learn a good deal about the real lives of lives of wolves as well as about the cruelty of those humans who persecute them. This is an important counter-story to Lobo, an atonement perhaps: wild nature prevails over man – its triumph is right and just. The wolf hunters fail to capture Billy.

“The Boy and the Lynx.” Apparently based on an incident Seton claimed from his own childhood, a mother Lynx will do anything for her kittens, including attacking humans (although unsuccessfully). A very interesting aspect of the story is Seton explaining the Lynx-Hare population cycle connection, later to become a standard model in explaining the science of ecology. Seton was the first to write a science-based description of this relationship.

“Little Warhorse: The History of a Jackrabbit.” This one could be subtitled, the Jack than won, escaping a cruel fate planned by humans. Seton fascination with these creatures is shown by his close observation of their natural history. Jackrabbits are adaptable and able to seek out accidental allies such as cows and hedgerows to escape their many enemies. Another Seton contribution to ecology was explaining protective (camouflage) and directive (draws attention) coloration used by animals in different circumstances.

“The Winnipeg Wolf.” Based in part on personal experience, Seton’s brief sighting and subsequent research into this particular wolf proved a pivotal life experience. The wolf’s family was murdered (a common fate of Seton’s wild families) after which the pup was raised by humans, most of whom were cruel but for a boy who gave him love. The wolf might have survived by moving away from town, but stayed to be near his one human friend.

“The Legend of the White Reindeer.” Seton begins the story with a lovely mini-essay, a beautiful landscape description of the Norway sub-Arctic, a place he had visited while researching caribou. Like Krag, the reindeer learns many lessons in the wild before being tamed to the sleigh by its kind owner. The animal is kidnapped by an evil man who intends great harm to Norway. The story takes a supernatural turn when the reindeer (still pulling a sleigh) does not stop, bearing the evil one into the snowy wastes of Norway.  

The Natural History of the Ten Commandments

(New York: Charles Scribner’s Sons.)

“Years ago I set for my theory that: The Ten Commandments are not arbitrary laws given to man, but are fundamental laws of all highly developed animals.”

This short work actually covers only the latter six Commandments, the first four not applying to our fellow species, although Seton briefly speculates on a kind of recognition that animals might have of a higher power.

Tuesday, November 11, 2014

The Peacock for Artists

Wall Decoration on Seton Castle

ETS had a great fondness for the peacock, making drawings of them and placing a decorative plaque of the bird (probably purchased in Mexico) near the front door of the Castle. Here is Seton’s explanation of depicting THE PEACOCK from Studies in the Art Anatomy of Animals (1896). The short essay is also homage to this beautiful creature. Note that 118 years after its first publication, this book is still in print.



Plate XLIX

Common opinion has awarded to the Peacock, above all birds, the palm of beauty. Many of the recently discovered Hummingbirds are exquisite, as are the rare Birds of Paradise and some of the Asiatic Pheasants brought to light by modern research, but divested of their charm of novelty, it is found that none of the species mentioned can successfully compete with the Peacock. Probably there is nothing else as beautiful in the world of Zoology.

The train, or ‘tail’ as it is commonly called, is the unique and splendid feature of this regal bird. The chromatic beauties are no less notable than the mathematical correctness with which they are displayed. It is almost unquestionably the most remarkable illustration extant of the regular arrangement of feathers. The perfect geometric design, indicated in the Plate, is not merely hypothetical, but will be seen in every Peacock’s ‘tail’ when in full plumage.

The explanation of this is very simple, as will be seen on reference to the drawing of the naked Sparrow (Plate XLIV.). The true tail of the Peacock, composed of eighteen ordinary feathers, is underneath the train and supports it when spread. The train consists of two hundred and fifty odd posterior feathers of the dorsal tract, which towards the back, together with the radiation when spread, completes the mathematical figure.

A slight variation is sometimes seen when the tail is newly grown. The ends of the three outer rows or Y feathers are close together and separated from the true eye feathers by an exceptionally wide interval. They are also supplied with an embryo eye, which however is soon worn off.

Plate XLIV

Plate XLIX

Friday, November 7, 2014

Ernest Thompson Seton Stories #3

From Seton Castle, sunset, October 21, 2014

This is the third in a series, an annotated listing of Ernest Thompson Seton books covering the years 1902-1904.


How to Play Indian. Directions for Organizing a Tribe of Boy Indians and Making their Teepees in the True Indian Style

(Philadelphia: The Curtis Publishing Company.)

Known informally as “The Red Book” (from the color of the pamphlet’s cover) this is a little known but influential publication, providing a model for the Boy Scouts in England and America. It was the first in a long running series of books collectively called by Seton, The Birch Bark Roll.

Two Little Savages. Being the Adventures of Two Boys who lived as Indians and what they Learned

(New York: Doubleday-Doran & Company.)

Quote: “BECAUSE I have known the torment of thirst I would dig a well where others may drink.”

A close companion to How to Play Indian and expansion of a series of articles in Ladies Home Journal on outdoor youth education, it proved one of Seton’s most popular works. This is an autobiographical work of fiction based on Seton’s largely unhappy childhood. That difficult period in his life was relieved by his increasing self-reliance and fascination with pioneering skills, camping and camp-craft, nature study, and what was once called “Indian lore.” Part adventure story, part how-to, Seton set out the broad outline of subjects emphasized by the early Boy Scout movement a few years later with one important exception: He rejects Christianity and accepts nature as his religion.

He also put forth the radical notion that the merits and accomplishments of one’s own actions represented a superior morality over the notion of competition where achievement can only come at another’s expense. Most of his young readers were much less concerned with moral lessons than with lessons in a range of practical skills from fire making to taxidermy. No fan of conventional classroom education based on abstractions, he felt that lessons in subjects from history to geometry could be best learned by living the experience.


Monarch, The Big Bear of Tallac

(New York: Charles Scribner’s Sons)

Quote: “Another, more subtle theme was theirs that night; not in the line but in the interline it ran; and listening to the hunter’s ruder tale, I head as one may hear the night bird singing in the storm; amid the glitter of the mica I caught the glint of gold, for theirs was a parable of hill-born power that fades when it finds the plains.”

This single, novella length story could have been called the Biography of Another Grizzly. Like the bear in the story from four years earlier, the life of this one also followed a tragic course. Seton never coddled nor patronized nor hid the harsh realities of life and inexcusable human behavior from his young readers. Perhaps that was the point. 

Tuesday, November 4, 2014

Ernest Thompson Seton Stories #2

Seton Castle, sunset, October 21, 2014

This is the second in a series, an annotated listing of Ernest Thompson Seton books covering the years 1899 - 1901.


Trail of the Sandhill Stag

(New York: Charles Scribner’s Sons)

Quote: “…you would drive the wild beast wholly from my heart, and then the veil would be a little drawn and I should know more of the things that wise men have prayed for knowledge of.”

The narrator, Yan (who reappears in Two Little Savages), in the single story that makes up this book, relentlessly hunts a deer in a quest that becomes as much spiritual as physical. In its conclusion, it is a counterpoint to the Krag story of four years later. Yan comes to understand that personal salvation will not come from destruction of nature, but from its preservation and finding oneness with the wild. Sandhill Stag has literary roots in the story of the seventh century priest Hubertus.


The Biography of a Grizzly

(New York: The Century Company)

Quote: “The All-mother never fails to offer her own, twin cups, one gall, and one of balm. Little or much they may drink, but equally of each.”

A tragedy, the novella length story about Wahb, follows the course of his life from a cub to ancient and weak. After violent encounters with men, he is reduced to surviving by eating garbage at Yellowstone’s Fountain Hotel. He is finally overcome in a valley of poisonous gas.


Lives of the Hunted

(New York: Charles Scribner’s Sons)

Quote: “I have tried to stop the stupid and brutal work of destruction by an appeal – not to reason: that has failed hitherto – but to sympathy, and especially the sympathies of the coming generation.”

“Krag, the Kootenay Ram.” This story, along with Lobo and Sandhill Stag, marks one of the literary beginnings of the environmentalist movement and one of Seton’s most important literary achievements. An obsessed hunter, Scotty, pursues Krag for fifteen years, from the time of the bighorn sheep’s birth. The greatest of all rams is finally felled by a single shot. His head hangs in Scotty’s cabin where it gradually drives him to madness, a reminder of his villainy. Our attack on nature represents the greatest of moral failures, for it leads to our own destruction.

“A Street Troubadour: Being the Adventures of a Cock Sparrow.” A sparrow is reduced “to subjection” by his young mate.  The story follows the struggles and tragedies of a sparrow couple. It is based on Seton’s observations of the birds in New York City. Nature is not just something that happens in the wilderness.

“Johnny Bear.” The short, not especially happy life of a bear cub sick from eating garbage. Johnny and mom Grumpy live near the Fountain Hotel in Yellowstone National Park where Seton watched them during the summer of 1897. The mother bear and a young woman do everything they to save the doomed cub.

“The Mother Teal and the Overland Route.” New-born chicks follow their mother to a new home pond. Predators try to capture the chicks. A man helps them across a rutted road. A day in the life, and for once, a day with a happy ending.

“Chink: The Development of a Pup.” Seton’s adventure in Yellowstone continues as he observes a dog in a nearby campsite. Chink learns from his mistakes and proves very brave when abandoned. His master is a worthless drunk who encourages the coyote to pick on Chink. At the end, the dog-owner kills the coyote and maybe will become a better person because of the example set by his faithful dog.

“The Kangaroo Rat.” Seton, just arrived in New Mexico, becomes fascinated with the natural history of these nocturnal rodents, learning about himself in the process. Like John Muir, he finds the natural world too compelling to leave room for belief in the supernatural.

“Tito: The Story of the Coyote that Learned How.” Tito, a coyote pup is captured and abused after her family is murdered by ranchers.  She learns about the terrible things that people do to animals, and uses that knowledge to preserve herself and teach other coyotes by example to avoid traps, poisons. She and her mate outsmart and survive all the attacks against them.

“Why the Chickadee Goes Crazy Once a Year.” Chickadees get agitated with the coming of winter but settle in and tough it out. This is a short whimsical explanation of curious behavior showing a different style from the other stories in the book. It was one of his earlier stories.

“The Thought (Tail-piece).” This title makes its second of three appearances at the end of this book. It was used for an entirely different image in Wild Animals I Have Known. It shows up a third time in Lives of Game Animals (1925). In this version, a nude European/American white male shows his dominance over the regenerative ability of nature. But there will be dire consequences to his action.

Friday, October 31, 2014

Ernest Thompson Seton Stories #1

Seton Castle, sunset, October 21, 2014

This is the first in a series: annotated listing of Ernest Thompson Seton books.

In this group, the first three books with individual story notation.  


A List of the Mammals of Manitoba

(Manitoba Scientific and Historical Society.) A monograph of Canadian mammalian species.


The Birds of Manitoba

(Washington, D.C.: Smithsonian Institution.) A monograph listing Canadian bird species.  The two books on Manitoba earned Seton an honorary doctorate from the Moscow Emperor’s Society of the Naturalists in 1893.


Studies in the Art Anatomy of Animals

(London: Macmillan.) The first book presenting, in Seton’s words, “the general principles of Comparative Anatomy applied to Art.” The book showed motion and muscles, fur and claw, details and proportions, of several birds and mammals.  A tour de force of classic scientific illustration, it also proves that the finest representations of animals are made from the inside out. An artist cannot convey the outward appearance of animal life without understanding its structure.

Important quote: “In every case art is a conventional abstract from nature, and its appeal to the imagination must necessarily be influenced largely by nature.”


Wild Animals I Have Known

(New York: Charles Scribner’s Sons.) The book that led to Seton achieving best seller status was published near the end of the year. The “Lobo,” “Silverspot,” and other stories became classics read by several generations of American youth.

Quote: “Such a collection of histories naturally suggests a common thought – a moral it would have been called in the last century.  No doubt each different mind will find a moral to its taste, but I hope some will herein find emphasized a moral as old as Scripture—we and the beasts are kin. Man has nothing that the animals have not at least a vestige of, the animals have nothing that man does not in some degree share…Since, then, the animals are creatures with wants and feelings differing only in degree from our own, they surely have their rights.”

“Lobo, the King of Currumpaw.” The great and big-hearted wolf is characterized by physical prowess, strength & honor, intelligence, stealth, critical thinking. Lobo shows a visceral rejection of technology. He is motivated by loyalty and love, but is ultimately defeated by the narrator who uses underhanded tactics. In a larger sense, this is an undermining of nature itself.

“Silverspot, the Story of a Crow.” Leaders of crow flocks are the “oldest and wisest” and “strongest and bravest.” This serves as a model for Woodcraft leadership. Silverspot leads by example and force of character.  Leadership requires the ability to convey one’s will while at the same time requiring of the true leader to take the same physical risks and a willingness to do the same jobs as anyone else.

“Raggylug, the Story of a Cottontail Rabbit.” From a rabbit’s point of view, predators are villainous. Rag learns the art of woodcraft – how to thrive through co-existing with the environment, surviving by his strength and wits. This lesson is clearly also for us. But there is also this: “No wild animal dies of old age.  Its life has soon or late a tragic end.”

“Bingo, the Story of My Dog.” The narrator is caught in his own wolf traps and is soon surrounded by wolves.  From afar, Bingo senses his plight, and comes to the rescue. The story is about the high moral value of loyalty. At the same time, dogs have less sense than wolves; Bingo falls victim to poison left for wolves, showing in a larger sense, the results of our war on nature: we kill the things (and the ones) we love.

“The Springfield Fox.” A fox exhibits a craftiness that demonstrates intent, and thus a high degree of consciousness. Common sense rules for foxes could be read as having value for us as well. In the end a mother kills its kit rather than see it chained. Seton faced criticism for what were seen as exaggerated accounts of complex animal behavior.

“The Pacing Mustang.” A relentlessly hunted horse commits suicide rather than lose its freedom. Many stories in this book chronicle men’s cruelty to animals. Here, the hunters want to kill or capture the animal precisely because of its dedication to freedom. The horse is morally superior to those who would destroy it. Like most of the others here, this story is about the human need to destroy nature, in part, just to prove that we can do it.

“Wully, the Story of a Yaller Dog.” The hero of this story remains doggedly loyal to a worthless master who has abandoned him.  The betrayed and heartbroken Wully eventually becomes a murderer, an enemy to the world of men and sheep.  This is about the immorality of abuse and neglect.

“Redruff, the Story of the Don Valley Partridge.” A flock of birds tries to make a home, but persecution by humans and terrible weather destroy them all. A snare catches the bird: “Have the wild things no moral or legal rights? What right does man have to inflict such long and fearful agony on a fellow-creature, simply because the creature does not speak his language.”

“The Thought (Tail-piece).” This is a wordless story, an illustration of a nude man, a wolf, and a bird. Above them the life-giving sun while below is life-giving water. A spiral of dynamic energy inseparably connects them. Will we come to reconnection the interconnection before it is too late? Heady stuff for 1898!

Thursday, October 23, 2014

Ernest Thompson Seton Exhibit Update

Hunting down and eliminating dust

The ever-changing Seton Gallery is now showing additional ETS works in open storage display drawers. Museums generally have more stuff than can be shown on the walls. The rest goes into storage. The solution: store artwork where it can be seen by the public. Adjoining the Gallery is the Academy's Conference Room with two storage units with 54 drawers showing ETS drawings and paintings. Most but not all of the drawers show labeled artwork. The ones not currently used will show new work in the future. Here museum consultant Amy Flowers searches for errant flakes and dust motes. 

The Gallery is open the second and fourth Wednesday of each month and by appointment. Free admission. 


Monday, October 6, 2014

Ernest Thompson Seton Gallery Visitors

The Seton Gallery at the Academy for the Love of Learning is officially open twice a month (second and fourth Wednesdays), but really is open any time I am there – a day or so every week and by appointment. Free admission.

Late last month Japanese scholar of American literature Yoshiko Kayano and Seton Villager (and resident Village historian) Jerry Zollars were among the many who came by. In this case, getting their picture taken with me.

The “Bird Portraits” exhibition of Seton drawings and paintings has been popular with visitors, finding especial favor with birders.

Hope to see you there.